The Amazing Zoltar

 

Chapter 1


It's Saturday night.
Colored lights everywhere, everywhere you look. Wrapped around poles, climbing like ivy along the tent edges, crisscrossing over the midway like bizarre, electric spider webs…
And the smells. The wonderful, unmistakable smell of a carnival: peanuts roasting; candied apples cooling; cotton candy swirling; bratwurst links simmering on an open grill… Sweet, magic aromas that sweep you away and take you back in time to when you were a child. The smells every bit as enticing now as they were back then.
And then there are the sounds. The exhilarating, festive noise a carnival makes - the clamor of the crowd, music spilling from loudspeakers, calliope melodies drifting through the air like wisps of smoke...and the callers - men in green or red derbies, wearing white, collarless shirts underneath plaid vests. They beckon you into their tents, they do, luring you in with promises of the unbelievable and the amazing. Their canes sweep through the air as they usher the crowd through open tent flaps as if herding sheep into a pen.
And everywhere, from every direction, the sound of metal wheels clacking and banging against steel rails. It is the rides that once terrified you as a child and thrill you still as an adult.
And then there is the most important sound of all: the raucous screams and laughter of the people themselves. All of whom have come tonight for the same reason - to be entertained.
And entertained they are.
In all, the place is like a giant kaleidoscope of sensations, a surrealistic explosion of sights, sounds, and aromas of the most captivating and tantalizing type.
Allison and Muriel stroll down the carnival's midway in no certain hurry to get to nowhere in particular. They saunter through the crowd, enjoying their cotton candy, giggling the way girls do, and try to decide on the next ride or attraction.
Tough choice. They love them all. Despite the fact that they have done them all a thousand times over, they enjoy the attractions and rides no less tonight than they ever have. It may all be familiar territory by now, but it's still, to them, a cherished experience and one they look forward to every year.
Both are twenty-two, friends since childhood, and for ten years now, ever since the carnival began its annual stops here in their quaint town of Melsburg, the two young women have done what they are doing now - cruising the midway, watching the boys watch them, and occasionally ducking into an attraction or climbing aboard a ride. It's the same routine every year. Same rides, same attractions, same boy's ill-intended stares; the latter being the main reason they even come. For them, carnival time is synonymous with mating season, and the two of them are prime and ready for breeding.
And tonight, they've come dressed for the occasion: tight jeans, tube tops too small, high heels that exaggerate the sideways flick of their asses, and last but not least, no underwear. No bras, no panties. Standard procedure for these types of situations.
So, they walk the midway, the girls do, strutting along, showing off their wares, and casting their bait, so to speak, into the murky waters of male libido. And from what they can see, the fishing is fine.
They had just emerged from the mirror maze, passed on the fun house, and were en route to the Ferris wheel when Muriel spots it first. Something new. Something the carnival has never had before. She stops and turns to Allison…
''Hey, what's that over there?''
Allison looks...
''Over where?''
''Over there!''
Muriel points to the strange contraption standing somewhat separate and alone from the rest of the attractions. Allison stuffs another wad of candy in her mouth and shrugs...
''uhh aah oowwaahhh'' (cotton candy speak for 'Fuck if I know!').
Whatever it is, it has piqued Muriel's curiosity. She's twelve-years-old again…
''Oooohhhhh! Let's check it out!'. C'mon! C'mon! Hurry! Let's see what it is!''
She says this while jumping up and down and jerking on Allison's arm as if it were a pump handle…
''Alright! Alright, already! Quit yanking on me, bitch! You're gonna pull my arm out its socket!''
But she doesn't. Muriel doesn’t stop. She continues to tug and pull until finally, Allison gives in, and the two do it. They check out the carnival's new attraction.
Muriel's the first to get there with Allison in close tow behind her, still being dragged by her arm and doing her best to hang on to her cotton candy. The two girls stop just short of the - for lack of a better word - 'thing’. Neither of them has ever seen anything quite like it, so they stand side by side and, together, try to figure out what it is, exactly, they're looking at.
For sure, it's a machine of some sort. That, they're certain of. Like a robot thing, maybe. Whatever it is, it looks old, almost ancient. Like some kind of retro thing. Like some type of throwback to the forties or something. Definitely old school. Vveerryy old school.  And big, with the whole thing being roughly the same size and shape as an old phone booth. Or a refrigerator, even, only a little taller.
They move in for a closer look and give the strange contraption a good going over, cautiously touching it here and there and marveling at its authentic, antique appearance as if it were a rare collector's item. Which, for all they knew, it probably was.
The lower half of the machine is boxed in with sheet metal painted in bright carnival colors: yellows and oranges interspersed with greens and reds, all swirling together and around each other like some psychedelic album cover from the sixties. Then, painted across the front on top the colorful pattern, bold white lettering that reads...


 THE AMAZING ZOLTAR

Teller of Futures, Reader of Fortunes


And then, under that, in much smaller letters...

 

Accurate fortunes guaranteed

or your money back!


The upper half of the machine is a glass enclosure of sorts, encasing the figure of a strange, mysterious-looking man from the waist up. A robot of some kind. Some Ali Baba-looking thing wearing a yellow satin shirt with billowy sleeves and no buttons, one side simply wrapping around the other. Very Lawrence of Arabia.
The face is exotic but stiff and lifeless, with fixed eyes that stare out at nothing and painted lips that never move. He has a thin, Middle Eastern-style mustache that curls on each end and a goatee that comes to a point in front of his chin, the point of which curls upwards as well. And lastly, gold hoop earrings that dangle from each of his lifeless, robotic earlobes.
All very exotic and mystifying, but the thing that completes the whole look, the finishing touch, is the turban the fortune teller wears atop his head: shiny white satin with a large, gleaming green gemstone embedded on its front.
Overall, the thing looks like a genie, or half of one, anyway. Like what might have popped out of Aladdin's lamp.
The top of the machine—the roof, if you could call it that—is painted gold and shaped like a spire, like something you'd see in a photo of the Taj Mahal. All very exotic and, for sure, very, very cool.
On the lower part of the booth's front, just below the white lettering, is a smallish chrome plate that features a coin slot and a metal coin return button. Raised lettering near the slot reads 25¢.
Allison looks at Muriel, who's trying to remove a sizable gob of cotton candy from the tip of her nose but not having much luck. She pulls on the gooey wad, but it doesn't come off. Instead, it stretches like some long, rubbery booger, almost as if it were a piece of taffy being pulled from both ends.
Allison ignores the disgusting display, hoping no guys are watching, and asks...
''Whatcha think? Should I do it? I mean, it's only a quarter, right? What's the worst that can happen?''
She glances back at the white lettering on the front of the machine: 'Or your money back.'
Muriel just shrugs. At the moment, she's not overly concerned about Allison's fortune being told. Right now, she has problems of her own. Namely, the cotton candy booger she can’t seem to get rid of. Every time she tries to pull it off, the goo just stretches further and further. The thing's at least two feet long now, and there seems to be no end to it. Making matters worse is the fact that fighting with the booger from hell has caused her eyes to cross.
And this is a problem. Her arms are only so long, and this fucking thing keeps stretching like some novelty shop prank. She'd ask Allison to help, but she knows that's never gonna happen. No way she'd be caught dead pulling on someone’s cotton candy booger. Not even with a pair of those yellow dishwashing gloves. In Allison's mind, there are simply some things friends shouldn't ask other friends to do, and pulling on boogers, cotton candy, or otherwise, is near the top of that list.
Sorry, but Muriel's on her own with this one, stupid bitch.
Anyway, Allison gives her friend an agitated sneer and leaves the retard to her booger activities. She turns her attention to her handbag and begins digging through it in search of her coin purse. She finds the purse, fishes a quarter out, and quickly feeds it into the fortune teller's slot. Instantly, in a terrifying burst, the machine awakens. Inside, wheels begin to spin. Cogs start to rotate, and gears begin turning other gears. The entire machine begins to shudder and shake and tremble. Inside the glass enclosure, small light bulbs begin to blink in sequence like a theater marquee, and the robot man known as Zoltar comes to life.
Weird.
Too weird.
The contraption, with all its clamor, is starting to freak Allison out, thinking maybe the fucking thing's about to explode. She takes a step back just as the machine's shaking and rumbling grows even more intense, almost violent, even. Zoltar's eyes suddenly light up like red lasers, and he begins swiveling at the waist from side to side while his arms begin moving up and down as if beating an invisible drum.
And then, out of nowhere, an eerie, mechanical voice suddenly roars out with hair-raising volume...


''I AM THE AMAZING ZOLTAR! GREAT MYSTIC OF THE EAST, TELLER OF FORTUNES!''


The voice is immediately followed by an evil, equally mechanical, and equally loud laughter...

 

“BBBWWWAAA. HHHHAAA HHHHAAAA HA HA HA HA!’’


And finally, a blinding blue bolt of lightning shoots from the top of the spire, creating a bursting crack of thunder so loud and frightening it causes both girls to leap backward in stark terror. They drop their cotton candy and clutch onto each other for dear life.
The girls are terrified. The hairs on their arms are standing straight, and chills race up and down their spines. Their first inclination, both of them, is to bolt and run for their lives, but they soon come to their senses, and cooler heads prevail. They realize they're being silly about the whole thing. After all, it's only a machine, right? A robot? Besides, isn't that why they came to the carnival in the first place? For thrills and excitement?
Sure, it is.
And that's what they're getting. Thrills and excitement. Twenty-five cents worth, to be exact.
So, they don't run away. Instead, the two stay where they are, still clinging to one another, and wait to see what the robot will do next; both of them completely drawn in, at this point, by the machine's mysterious, almost hypnotic, allure.
In the meantime, Zoltar reaches under his card table and produces a stack of tarot cards. He lays the top five cards down, face up and side by side, on the table in front of him. His head begins to nod up and down, over and over, and again, the terrifying mechanical voice bellows...
 

''I AM THE AMAZING ZOLTAR, TELLER OF FUTURES! BEHOLD, I HAVE TOLD YOURS!''


Another terrifying lightning bolt, accompanied by yet another clap of deafening thunder.
And then...
Nothing.
Zoltar rests his hands on the card table and quits moving. His eyes turn dark, and his head tilts slightly downward. The lights inside the booth quit blinking as well, and the whole machine falls silent and still as if having turned itself off.
But then, suddenly, another noise. A clacking of sorts, like the sound of someone typing on an old typewriter. At the same time, a slender white piece of paper begins emerging from a slot in front of the machine, feeding out more and more as the clacking continues.
After a few moments, the typing sound stops, and the long, slender paper ejects. It flutters softly and silently to the ground like a bird's lost feather.
The two girls look at the paper and then look at each other, neither really knowing what to do, and neither really wanting to do anything. Least of all, getting close enough to the machine to pick the paper off the ground.
Again, Allison reminds herself that it's only a machine. A carnival attraction. She swallows hard and then releases her grip on Muriel. Cautiously, she approaches the now silent machine until she's standing a mere foot in front of it. She reaches down and picks the paper up from the ground, and notices there are words printed on it.  No doubt her twenty-five-cent fortune. She stretches the paper out in front of her and reads the words out loud so that Muriel can hear…


You have less than two minutes left to live.


''What?''
Allison's face scrunches in confusion...
''What the fuck is this? My fortune? What kind of fortune is that?''
She's pissed, angry. She's just been had by a machine. No way she's about to die, which means this robot-scamming piece of shit has just robbed her of a quarter. Sure, it's only twenty-five cents, but it's not about the money. Principals are in play here. She's just been scammed by some swarmy, stupid-ass, two-thousand-year-old antique.
She becomes enraged. Her face knots in an angry scowl, and she begins kicking the robot machine as hard as her legs will let her...
''You phony piece of shit! You fraud! I want my fucking money back! Give me back my quarter, you…you ASSHOLE! I want a refund! You hear me? I want a refund, you piece of shit!''
But Zoltar remains dark and silent and quite unaffected by the girl's tantrum.
Zoltar’s lack of response enrages Allison even more, so she kicks the machine even harder, while at the same time, begins banging on the front glass with her balled fists. Hard.
Zoltar wakes. He's seen this before. He is in danger of having his front glass broken, so he decides to take corrective measures.  Again, his eyes glow red, and the lights inside blink once more. Likewise, the mechanical noise returns as well.
The girl ceases her assault for the moment and just looks at the insipid machine. She's confused. She's not quite sure why the robot suddenly decided to turn itself on again. Maybe it's seen the error of its ways.  Maybe that’s it.  It sees that it has made a mistake and is going to refund her money after all.  So, in light of this fact, Allison stands where she is, arms crossed, face scrunched, foot tapping, and waits for her twenty-five cents. But, like so many other events in Allison's life, tonight, things don't turn out quite the way she wants.
Not quite.
Zoltar, not being a complete idiot, has heard the girl's complaint and, as such, decides to address the matter accordingly. He reaches under the table and retrieves something he's sure will resolve the problem once and for all: a .38 revolver. He cocks the hammer, aims it at the irate bitch in front of him, and pulls the trigger. Instantly, two things happen: 1) A hole appears in the booth's front glass, one that happens to match the hole in the now-dead bitch's face. 2) She quits complaining.
KAPOW!
The back of Allison's head explodes, and she slumps limp and lifeless to the ground. Zoltar fans the smoke away with his hand and then returns the weapon to its previous spot. The matter settled, he then turns himself off again, his point clearly made - there will be NO refunds issued tonight.
Again, the clacking sound.
Another slip of paper emerges from the slot and floats downward, eventually coming to rest on the dead girl's body. It reads…

Told you so.

More clacking. Another slip of paper. It, too, floats down and lands next to the previous slip. This one simply reads...

Bitch.



Chapter 2


Two uniformed cops secure the crime scene with the standard yellow and black police tape while another four officers lift the fortune-telling machine from its bottom. Once off the ground, they carry it to a black and white PD pickup truck whose tailgate is lowered and waiting to receive the prisoner.
Somewhere nearby, a car door slams closed. The meat wagon.  Its revolving top light turns on as it slowly drives away, its only passenger in no kind of hurry to get to her next destination. Detective Tanner stuffs another stick of Juicy Fruit in his mouth as he watches it leave the carnival grounds. His jaw is already sore from the constant workout, but he chews another stick anyway.
The gum is to help him stop smoking, but so far hasn't helped that much. Not the way he had hoped, anyway. True, he's down to five packs a day now, but the goal was for two. And one? Yeah, right. Ain't happening. Not in this line of work. He knows he should quit altogether, and would, but then what would he do with his hands at AA meetings?
But who's he fooling? Tanner spits the gum out and lights up.
He turns to his right and watches as the officers load the suspect into the truck bed. Off to his left, he sees the crime's only eyewitness. Still catatonic, still unresponsive. She's sitting upright on a gurney in the back of an ambulance, eyes still crossed, with a two-foot-long cotton candy booger still dangling from the end of her nose. Not a pretty sight. Two attendants work in unison as they finish buckling the white restraining jacket she’s now wearing. No hospital for this one, just a nice, cozy rubber room. Doesn't matter. With her eyes bent like that, the detective doubts she would have made a credible witness anyway. A defense attorney would have had a field day with that one.
Next, he walks over to the chalk outline and notices that some Wisenheimer has drawn a twat and tits on it, both greatly exaggerated. Not bad, still, he's gonna have to have a talk with those boys.
Or not.
At least this way, you know what the gender was.
He removes his hat and runs a tired, overworked, and underpaid hand through the little hair he has left. This time last year, he could barely run a comb through it, it was so thick. And now? Well...
He replaces the hat, tilting it back on his head like some reporter from an old sixties movie. He then parks his fist on his hips and, once more, looks down at the bloody mess on the ground in front of him. The detective shakes his head and says to no one but himself…
''Now I've seen it all.''
Fat chance a crime scene is going to spring any surprises on a ten-year veteran homicide detective in New York, but this one has. Oh sure, he's seen it dozens of times - a fortune-telling robot loses it and shoots a customer. But usually, it's an arm or shoulder, sometimes a leg, even, but always a wound. Always. Never a headshot. Never a homicide. Not like this.
Again, he shakes his head in disbelief and quickly comes to the conclusion that, yeah, it's gonna be a 'why me' kinda day. Just like the day before and the day before that one. He pulls a bottle of Rolaids from his jacket, twists the top off, brings it to his mouth, and upends it as if he were finishing off a Budweiser.
A uniformed cop walks up...
''Got that Zoltar guy strapped down and ready to go. Where we taking him?''
''County'', he tells the uniform, ''Just like the rest of ‘em. Let him sit in a cell and stew for a while.''
The cop turns to leave, but the detective grabs his elbow and stops him...
''And Lou, see if you can round up that owner and send him over here, will ya? I gotta few questions for him. What's his name again?''
''Hindenburger? Iceburger? Franksandburger... I dunno. Some Nazi shit like that.''
''Figures.''
Lou leaves and heads toward the pickup. Meanwhile, the two back doors of the ambulance slam shut, and it, too, drives away with sirens wailing. Lou makes it to the pickup, slaps the roof twice, and the truck quickly falls in behind the ambulance.
About that time, the forensics team arrives. They quickly set up shop and begin combing the crime scene on hands and knees in search of evidence, large tweezers in one hand, a huge magnifying glass in the other; people who, for sure, watch way too much TV.
Way too much.
Detective Tanner flicks the current butt away and fishes another Lucky Strike from the rumpled, nearly empty pack. He stuffs the new smoke between his lips and snaps his Zippo to life. He takes a long, thoughtful drag, half watching the forensic guys do their NCIS thing while he tosses the sketchy facts of the case over and over in his mind like clothes in a Maytag.
Only, these clothes aren't drying.
Something about this whole thing smells, but he's not sure what. The robot dude is claiming self-defense, but what if it's something else? A cover-up, maybe. A love triangle gone bad. Something like that.
What if…
What if he loved her, but she loved something else? A claw machine, maybe. Yeah, a claw machine. That thing that always manages to lose its grip on your stuffed animal just when you're about to drop it in the prize basket. Fucking scammer. Seventy-eight dollars later, and you still got nothing to show for your money. OK, a cheesy key FOB, maybe, but that's not what the hottie hanging on your arm is pining for. She wants the Bullwinkle doll, and a key chain with Don Rickles' face on it ain't gonna cut the mustard. She's a dame, and like all dames with double D credentials, she wants what she wants.
And usually gets it.
But not that night.
A hundred and twelve dollars later, he's busted, and the Bullwinkle doll just smirks at him through the glass, his hands raised to his sides, palms up, as if to say, 'That's all you got? That's all you work'n wit, bitch?'.
Bad memory, and one he's never gotten over. But anyway...
He shakes the memory from his head and refocuses his thoughts back to the claw machine theory.
Sure, it's a scamming piece of shit, but murder? No way. That's just stupid.  Besides, a claw machine would never go for a two-bit carnie slut like… like…
He pulls a small, spiral-bound notebook from his shirt pocket and flips through the pages…
...Allison. Allison McGregor. In his mind, pure carnie trash. He's dated sluts like her all his life and knows the type - been there, fucked that, divorced it later. Repeat. So yeah, he knows the type.
So much so, it causes him to wonder...
He taps a thoughtful forefinger against his chin and thinks about it for a moment. What if he's wrong about the love triangle? What if the whole thing was a setup instead, a trap? She lures this Zoltar into a one-night fling and then later comes up pregnant. Or so she says. After that, she leans on him to keep her quiet. Says she wants a cut of his nightly take or else it's National Inquirer time…


''I'M PREGNANT WITH HIS CHILD!''


(close-up photo of a girl's hands planted on an exposed, pregnant belly)


CARNIVAL GOER CLAIMS ROBOT FORTUNE TELLER

MOLESTED HER SINCE A TEENAGER AND

NOW SHE'S PREGNANT WITH HIS CHILD!


(photo of Zoltar holding tarot cards in front of his face to thwart the paparazzi)


THE AMAZING ZOLTAR ARRESTED ON MULTIPLE COUNTS.

OTHER WOMEN FINALLY COMING OUT OF CLOSET

AND SPEAKING OUT! CLAIMS ZOLTAR'S THE BILL

COSBY OF THE CARNIVAL CIRCUIT!


Yeah, that would work. He's being blackmailed, sees an opportunity, and jumps on it. No denying the evidence on this one. The carnival security footage clearly shows the girl attacking Zoltar in a fit of rage.
But did he have to shoot her? In the face?
Sure, he did; if he was being blackmailed, that is. It all fits. A perfect crime. Perfect, that is, until I came along.
He lets out an exasperated sigh and says to no one there...
''Yeah. One of those days.''
He pulls the Rolaids bottle back out to down another mouthful, but it’s tapped out, so he tosses it. Instead, he searches his jacket for a leftover joint. You never know.
About that time, a wiry, withered old man dressed in black pants, black jacket, and collared white shirt walks up to him…
''You must be Detective Tanner. Heard you wanted to talk to me.''
The old man in his seventies extends a hand to the detective. The detective simply stares at the hand with his best 'yeah, right' look, and the old man lowers his arm. Tanner asks the fossil...
''And just who the hell are you?''
''Name's Haissenburger.''
''Oh, yeah. Owner, right?''
''Yes, sir.''
Notebook still in hand, Tanner flips through the pages until he finds the correct one...
''OK, just a few questions, if you don't mind.''
''Certainly.''
''First of all, how is it a robot fortune teller came to be in possession of a firearm?''
''Yeah, that. Well, my fault, actually. See, detective, we always set up in decent areas, but a lot of times, those decent areas aren't that far from some really bad neighborhoods, even ghettos and barrios sometimes, and while the rest of us are able to sleep behind locked doors, poor Zoltar is left outside on his own to fend for himself. Several times, people have tried to break into his coin box or even carry him off. So, what I did was buy him a gun and a box of shells so that he'd at least have a fighting chance.”
The detective purses his lips and jots a few more notes in his book. Without looking up as he writes, he tells the owner…
''I see. Perfectly understandable.''
A few more notes, and he flips the notebook closed. He stuffs it in his top pocket and, at the same time, grabs a business card while he's there. He hands the card to the old man and tells him…
''I think that'll be all for now, Mr...Mr...''
''Haissenburger.''
''Right. Haissenburger. That's Na (was about to say Nazi but catches himself)...er, German, right?''
The old man nods…
''That's correct. I'm a German immigrant.''
''Yeah, well, anyway, you have my card. You think of something, you give me a ring.''
''I'll do that, detective.''
''Good.''
And with that, the old man turns and lumbers his way back to wherever it is he came from. Detective Tanner crosses his arms and watches as the ancient fart slowly fades away into the scenery of the carnival.
Something's still bothering him, though. Tugging at him, nagging him. He can't quite put his finger on it, not yet, but the smell factor on this one is high.
High, indeed. 


 *  *   *   *   *   *

What's probably bothering the detective, but he doesn't know it, is this: this is nothing new for Zoltar. He's been killing carnival patrons he doesn't like for years now, something the old man could have told him, but didn't. He didn't lie about it, just didn't tell him. Would have told him had the detective asked, but he didn't. The detective never once bothered to ask if Zoltar had a history of killing people, and the way the old man sees it - no ask, no tell.
Still, the fact remains that Zoltar has left a string of dead bodies that stretches from here to Utah and beyond. All shot point blank in the face, and in every instance, always - ALWAYS - preceded by the same Zoltar printed fortune…


You have less than two minutes left to live.


And the thing is, he's been doing it all these years with impunity because, well, face it. Never in the history of law enforcement has a carnival robot ever been brought up on murder charges.
That is, until now.
Today, Zoltar's luck has finally run out. He's crossed paths with the wrong detective this time. And, not just any detective, mind you, but, rather, one with an attitude. A detective harboring a deep-rooted hate for carnival robots due to his bad experiences with claw machines as a dating adult. The bearer of deep, emotional scars that have never healed and, until now, had no outlet for revenge.
That is, until he met Zoltar.

*   *   *   *   *   *   *

Meanwhile, back at the county jail...
Zoltar sits in a dank, cold cell alone and busies himself with the latest issue of Carnival Hotties, something one of the guards was nice enough to bring him. They all like him, the guards do, because he reads their daily fortunes for them. Works out fine. They have their futures told, and Zoltar makes extra money for commissary stuff.
A guard walks up to the bars...
''Hey Zoltar, got a visitor here to see you.''
A man wearing a plain, somewhat ill-fitting, gray J.C. Penny suit appears and stands beside the cell door. He's carrying a manila folder with the words 'State of New York vs The Amazing Zoltar' printed in black Sharpie across the front.
It's the public defender he's been waiting to see. Could have gone with a paid lawyer - he's got enough money in his coin box - but didn't. He needs that money for something else. Something that makes whatever attorney he uses a non-issue.
Under normal circumstances, Zoltar would have been put in an interrogation room to visit with his attorney, but, well, county jail guards are a lazy lot. It would take at least four of them to pick Zoltar up and carry him all the way to the interrogation room, and that just ain't happening. So instead, they gave the robot its own cell. Something of a luxury when you consider that there's standing room only in all the other cells.
The guard slips the heavy brass key in the lock, opens the door, and the state-paid-for mouthpiece enters the cell. The guard tells the lawyer…
''I'll just leave you two love birds alone and give you some privacy. Yell when you're done.''
The guard leaves, and his footsteps quickly fade away down the corridor. The attorney turns to the machine and introduces himself...
''My name's Hamilton. I'm your court-appointed...''
But he's cut short by the clacking noise the machine begins to make. He watches as a slender length of white paper emerges from its fortune slot. He grabs the paper and reads the words printed on it…


''Call this man. He'll explain everything. 556-780-4921.''

 

The attorney stares at the paper completely befuddled. Bewildered, even. Sounds fishy to him, but for the time being, he'll invest a little faith in his client and honor the request. Besides, without talking to the man belonging to the number first, a conversation with Zoltar at this point may be premature. He walks to the bars and yells for the guard.